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Written by: Masoud Soheili
Raoul Wallenberg Institute Asia Pacific HUMAN RIGHTS FILM Award Nominees at MFW10, part of the RWI Indonesia’s Regional Asia Pacific Programme.
In August 2021, Afghanistan experienced a tragic and rapid transformation as the Taliban reclaimed control following the withdrawal of U.S. and NATO forces. The Fall of Kabul marked the end of a 20-year international presence and the collapse of the Afghan government. The Taliban’s return to power had immediate and severe consequences for various segments of Afghan society, particularly women, musicians, and LGBTQ+ individuals, all of whom faced intensified persecution under the new regime.
Bolour (2024) is a short film by Helia Behrooz, an Iranian-American filmmaker. In her second short film, Behrooz seeks to shed light on the struggles of women, musicians, and the LGBTQ+ community through a poignant 16-minute narrative. Set in August 2021, as the Taliban seizes control of Afghanistan, the story follows the experiences of a generation of Afghans who had lived in relative freedom for two decades. Suddenly, they find themselves faced with the stark choice of fleeing the country or submitting to the Taliban’s oppressive rule. Many, particularly the young, choose to leave. Bolour is one of them.
The Taliban’s resurgence profoundly affected Afghan women, erasing many of the rights they had gained over the previous 20 years. During the Taliban’s previous rule (1996-2001), women were subjected to severe restrictions, including bans on education, employment, and participation in public life. Musicians also faced harsh repression under the Taliban, whose strict interpretation of Islamic law generally prohibits most forms of music and artistic expression.
In Bolour, the story centers on a young girl born during Afghanistan’s democratic era, who, like many, had only heard stories of the Taliban’s brutal regime. Faced with the new reality, she decides to leave the country, taking with her father’s robab, a traditional Afghan instrument. Along her journey, she encounters Raha, whose name in Persian means “Free,” an LGBTQ+ individual who represents another marginalized group in Afghan society.
Even before the Taliban’s return, LGBTQ+ individuals were not accepted in Afghanistan. Their situation has become even more dangerous under Taliban rule. The Taliban’s strict interpretation of Sharia law enforces harsh penalties for same-sex relationships and non-conforming gender identities. In many cases, these are treated as crimes punishable by death.
Bolour addresses complex and sensitive issues, but relies heavily on verbal exposition to convey its themes. This approach may make it difficult for some audiences to fully engage. This reliance on dialogue is partly due to the difficulties of producing Afghan-related films outside of Afghanistan. With the Taliban in power, it is nearly impossible to create films on these subjects within the country, leading the filmmaker to shoot the film in Iran. This choice necessitated limited locations and a focus on dialogue-driven storytelling.
Since the Taliban’s return to power, many Afghan artists and filmmakers have fled the country, seeking ways to continue their creative work in exile, a daunting challenge. Three years into Taliban rule, Afghanistan remains a nation under authoritarian control, plagued by economic collapse and widespread human suffering. The rollback of women’s rights, repression of cultural and social freedoms, and severe humanitarian crisis paint a bleak picture of the country’s future.
While the Taliban has maintained its grip on power, the cost has been immense, with millions of Afghans enduring poverty, fear, and repression. The international community continues to struggle with how to address the crisis, but the path forward remains uncertain, with the Afghan people bearing the brunt of the consequences.
With the global focus shifting to Ukraine and Palestine, Afghanistan has faded from the headlines, yet the situation there continues to deteriorate. Women, in particular, have been almost entirely excluded from public life, with bans on secondary and higher education for girls, severe restrictions on employment, and harsh enforcement of dress codes. Women are also largely barred from traveling without a male guardian, severely limiting their mobility and autonomy.
In this context, amplifying Afghan voices through film is more important than ever. Bolour represents an attempt by an Iranian women filmmaker to highlight the ongoing struggles of Afghans, particularly those most vulnerable under Taliban rule.
Bolour serves as a poignant reminder of the ongoing struggles in Afghanistan. Through its narrative, Helia Behrooz’s film highlights the resilience of those who continue to resist oppression and underscores the importance of keeping the plight of the Afghan people in the global consciousness. As the world’s attention shifts elsewhere, short films like Bolour are essential in ensuring that the fight for human rights and dignity in Afghanistan is not forgotten.
Editor: Ahmad Fauzi
Bolour (2024) is a short film that will be screened at Minikino Film Week 10 which will be held on 13 – 20 September 2024. This film is included in the “ORIGIN” program and is also a nominee in Raoul Wallenberg Institute Asia Pacific HUMAN RIGHTS FILM Award. For schedule and information visit: https://minikino.org/filmweek/2024-official-selections/
Masoud Soheili is an Iranian filmmaker, writer and photographer. With his films “Blue-eyed boy” (2014) and “Elephantbird” (2019), he has won more than 40 awards from over 300 film festivals. He was a jury member of 9 film festivals, including the Yogya Netpac Asian Film Festival (2015), Avanca International Film Festival in Dhaka International Youth Film Festival in Bangladesh (2020), Accra Indie Film Festival in Ghana (2022), Chaktomuk Short Film Festival in Cambodia (2022) and Azemeis Film Festival in Portugal (2022). Masoud is the co-founder and creative director of the “Asia Peace Film Festival” in Islamabad, Pakistan, and programmer of the “Changing Perspective Intentional Film Festival” in Istanbul, Turkey, and “Minikino Film Week” in Bali, Indonesia. Additionally, he directed the inaugural “Safe Community” International Film Festival in Mashhad, Iran (2017). In addition, he has worked as a freelance photographer, videographer, and video journalist for platforms including National Geographic, AJ+, VICE media, TRT, Great Big Story, VOA, and Business Insider. His debut photography book, “Durian on my head,” was published in Iran and Indonesia.
afghanistan »Afghanistan programme »Human rights film festival »LGBTQIA+ »women's rights »
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